OPETH -NEW CLIP "BURDEN"

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NOVO VIDEO DA BANDA SUECA OPETH

Limited edition 'Still Life' vinyl available to pre-order from the webstore

Edição limitada 'Still Life' de vinil disponível para pré-encomenda da loja virtual

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BARONESS-INTERVIEW FOR INK 19

c

Baroness!
Growing up together in Lexington, VA., the members of Baroness -- Allen Blickle (drums), Summer Welch (bass), John Baizley (guitars/vocals), and Pete Adams (guitars/vocals) -- knew early on that there was life outside of the Blue Ridge Mountains and that their passion for making music would be the ticket. Their long ride to a record deal and international recognition has been filled with hard roads in search of the rewards.
In 2007, Baroness released their first disc for Relapse Records, Red Album. Touring extensively across the U.S. and Europe created a solid fan base. This, in turn, led to their 2009 follow up, Blue Record, entering Billboard's "Heatseekers" chart at No. 1. Since then, Baroness has continued to play gig after gig, selling out their own shows and opening for major acts such as the Deftones and now Metallica, with whom they will tour Australia in November.
Summer Welch spoke with Ink 19 about getting out of Dodge, the pros and cons of promoting a band in the age of technology, and what it means to hold down the rhythm in the unique music of Baroness.

What were the odds of getting out of that small town?

I know people who grew up there and are still there, working shitty jobs, and maybe they're unhappy. The odds were very slim, but my parents were very, very supportive of my endeavors, and prior to music I was active with sports. I cycled a lot and raced mountain bikes growing up, so there was always something that occupied my time and that I invested my energy into. At 16, I discovered music and punk rock. All my friends played music. Alan and Pete were in a band together and I was envious that they had a band. Nobody in our circle played bass, so I learned to play. Through high school, everyone who is in Baroness now was in a band, playing different genres of music, but we all went separate ways. Everybody had the drive to get out of that small town and do something else. It was obvious to all of us internally that there was much more out there to be done. I moved to Croatia as part of an exchange program, Alan went to college, Pete joined the Army, and John moved to Savannah, Georgia, with his girlfriend because she was going to school there. When I got back from Europe, I didn't want to be in Lexington, so I moved to Savannah. John and I lived together and wrote music, and his girlfriend put up with a lot of shit. They're still together; they have a baby and they've made it work. We all migrated here at different intervals. It's been a long time coming for sure.

How involved are you with social networking?

I am not personally involved. I have a MySpace page but I don't use it often. I use it to connect with people overseas, but I'm not on Facebook or Twitter. The whole social networking thing gives me the creeps. It's a useful tool for bands, and I understand the desire and infatuation and people being obsessed with it, leaving comments like they're friends with you, but they're not. Facebook especially. I have friends who spend a lot of time online chatting and it doesn't seem real to have 800 friends online. When I ask them, "How many people do you see in the flesh?" "Oh, never." "Oh, maybe three times a year." Expectations and relationships become incredibly high because of things like text messaging and the accessibility of social networking. There is no room for patience anymore. You send somebody a message and you want them to get back to you within three hours. I see it in my circle. It has developed insecurity in people. Five years ago, everybody had an answering machine and not that many people had cell phones. You called, left a message, and someone would get back to you in the next two or three days. Society has built itself around faster, faster. Our label runs our Facebook and Twitter pages. They update them, and all I ask is that they don't personalize it to say "we." It's not we. It's them. We have tried hard to preserve ourselves in some way, and it's hard because people want to know "why" with every question. Just enjoy it for what it is and form your own ideas about what you're hearing. Our shows are about music, not who we are, what we're wearing, and what we like to do on the weekends. That's the society we live in. You have to find a balance and appeal to the general populace while maintaining your integrity. It's a fine line to walk, but at the end of the day we follow our hearts and that makes it seem much more legitimate and honest.

Blue Record Cover

For some bands, it's a two-on-two team situation, with the rhythm section on one team and dual guitars on the other team. Having known each other since childhood, does that make it more than the sum of its parts?

With us, yes, it is the sum of four parts. There are moments in the songs when the rhythm section is working together as a driving factor, and sometimes it's the guitars, but I don't separate it too much. We're not solely guitars or bass or drums. It's a mixture of all four of us together, and in my head I never think about it individually. It is what it is, and because we've been together for so long, as you're saying, together and growing so much, I don't know how I think of it anymore. It's just part of us and it's what we do.

Baroness: www.relapse.com/artist/artist.aspx?ArtistID=10190 www.myspace.com/yourbaroness

http://www.ink19.com/issues/november2010/interviews/baroness.html


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KYLESA- ENTREVISTA NA HELLBOUND

Kylesa: The Hellbound Interview

13 December 2010 535 views 2 Comments

On Thursday, December 2nd, Kylesa recently spent a chilly, drizzly night here in Vancouver, playing the Media Club on one night of a two-date Pacific Northwest jaunt, in support of this year’s massive Spiral Shadow album. Before the show, I had the good fortune to sit down with Phillip Cope and Laura Pleasants to discuss the album, ‘The Hit’, and the road.
HELLBOUND: The prevailing theme behind the songs on Spiral Shadow is that of ‘distance’. Was this a theme you had conceived prior to writing the songs for the album?
PHILLIP COPE: Not [when we were writing] the music. We were about halfway through writing [the music] -maybe a little more- and we were getting to the point where we needed to start writing lyrics and [the theme] just kind of… [Interruption by venue bouncer passing out wristbands] This isn’t going to be easy, is it? [laughs]

HB: Did you guys have any lyrics written before you decided on the concept of distance as a skeleton for the album?
PC: Yeah, that’s kind of what helped me think of the theme. The first song I wrote lyrics for, I was just thinking back on, just basically battling with depression, years of battling with it, and finally feeling like I was getting to a place where I getting a grip on it. And that kind of spiraled into thinking more like, ‘Okay, it’d be cool to base each song [on the album] on a different meaning of distance’.

There’s a marked, early-‘90s, indie-rock influence on “Don’t Look Back”. While everybody’s been talking about influences like Pixies and Built To Spill, I’d actually like to know about some of your lesser-known favorite albums from this era/genre…
LP: It’s easy, when people are reading interviews or asking us stuff, to mention bands [who influenced us]. But with us, it’s not really one particular band, or two – it’s a whole conglomerate of different bands and sounds. So yeah, I WAS listening to the new Built to Spill record [at the time], ‘cos I liked it -I was jamming it a lot- but I don’t think it directly influenced me [as far as] writing a particular song. That said, though – Phillip & I have been listening to the Pixies for years.

PC: We had, both of us, separately, on our own, [recently] watched the Pixies documentary [LoudQUIETloud], and…
LP: …And were both quite moved by it.
PC: But the thing is, we didn’t, like, have a discussion about ‘Oh, let’s write a song that sounds like the Pixies’. You know, it was more like ‘I’m gonna put this melody line over the song here’. I remember when it really first got noticed, that “Don’t Look Back” sounded like the Pixies…
LP: …I thought of that immediately, right away, I was like ‘This sounds like the Pixies to me.’
PC: …More and more people were saying it to me [in the studio], and it got to the point where I was like, ‘Well, do I not do it? Or do I just go for it?’ We were thinking about it at the studio, and had a discussion with a few people and it was like, well – the idea’s in place. We can either half-ass the idea or just go for it – and that was when Laura came in with her vocals [for the song], and we started really thinking about what would sound good here and there. So, yeah, it came out kinda Pixies sounding, but it really wasn’t…
LP: …It wasn’t like, super-planned or anything, you know?

Lastly, as the year is coming to a close, I’m curious to know what your favorite albums of the year are…
PC: I love that new Ghost record, have you heard it?
LP: It IS good. I just got that recently; it’s real good.

Okay, that’s pretty much all I’ve got. Thanks for coming back to Vancouver!
LP: Thank you! It’s good to be here. We haven’t been here in a quite a while, so…
Have a great show!
Both: Thanks!

portuguese

Na quinta-feira 2 de dezembro, Kylesa recentemente passou uma noite chuvosa, e fria aqui em Vancouver, uma noite de uma excursão de duas data-noroeste do Pacífico, em apoio deste ano da grande album Shadow espiral.Antes do show, eu tive a sorte de sentar-se com Phillip Cope e Laura Pleasants para discutir o álbum, "The Hit",

O tema dominante por trás das músicas em espiral Shadow é o da "distância". Foi este um tema que havia concebido antes de escrever as canções para o album
PHILLIP COPEálbum:?Não [quando estávamos escrevendo] a música. Estávamos prestes a meio escrito [a música], talvez um pouco mais e estávamos chegando ao ponto em que precisávamos para começar a escrever letras e [o tema] apenas um tipo de ... Isto não é "Não vai ser fácil, não é? [Risos]

HB: Vocês tem alguma letras escritas antes de decidir sobre o conceito de distância como um esqueleto para o album
álbum:?PC Sim, isso é tipo de coisa que me ajudou a pensar sobre o tema. A primeira música que eu escrevi, eu só estava pensando em, apenas, no basico, lutando com a depressão, anos de luta com ele e, finalmente, sentir como se eu estivesse chegando a um lugar onde eu conseguir controlá-la. E esse tipo de espiral em pensar mais como, 'Ok, seria legal para fundamentar cada música [no álbum] um significado diferente da distância ".

Há uma marcada, no início dos anos 90, indie-rock influência "Don't Look Back". Embora todos estejam falando sobre as influências como Pixies e Built To Spill, eu realmente gostaria de saber sobre alguns dos seus menos conhecidos álbuns favoritos a partir desta época / gênero ...
LP: É fácil, quando as pessoas estão lendo entrevistas,eles pedem para mencionar bandas [que nos influenciaram]. Mas com a gente, não é realmente especialidade da banda, - é um conglomerado de bandas de todo e sons diferentes. Então, sim, eu estava ouvindo o novo Built to Spill ,porque eu gostei, eu estava tocando muito isso, mas eu não acho que isso influenciou diretamente comigo a escrever um uma canção particular. Dito isto, embora - Phillip e eu tenho estado a ouvir os Pixies durante anos.

PC: Nós tivemos,, separadamente, por conta própria, [recentemente] assistiram ao documentário Pixies[LoudQUIETloud],e ...
LP: ... E eram ambos muito tocado por
ela;.PC, mas a coisa está, nós não , assim, ter uma discussão sobre 'Oh, vamos escrever uma canção que soa como o Pixies. Você sabe, era mais como "eu vou colocar essa linha melódica sobre a música aqui. Eu me lembro quando ela realmente começou primeiramente notado, que "Don't Look Back" soava como o Pixies ...
LP: ... Pensei que logo, logo, eu era como "Isso soa como o Pixies para mim.
'PC:... Mais e mais pessoas estavam dizendo isso para mim [no estúdio], e cheguei ao ponto onde eu estava como, 'Bem, eu não o faria? Ou eu apenas ir para ele? " Estávamos pensando sobre isso no estúdio, e teve uma discussão com algumas pessoas e era como se, assim - colocasse a idéia no lugar. Nós podemos ou ser idiotas com a idéia ou apenas ir para ele - e foi aí que Laura entrou com sua voz e começamos realmente a pensar que seria bom som aqui e ali. Então, sim, ele saiu Pixies tipo de sondagem, mas ele realmente não foi ...
LP: ... Não foi planejado ?

Por último, como o ano está chegando ao fim, estou curioso para saber o que os seus álbuns favoritos do ano é ...
PC: Eu amo essa nova Ghost, registro você já ouviu
isso:?LP é bom. Eu adquiri recentemente, e é muito bom.

Ok, isso é muito bonito. Obrigado por voltarem ok
Vancouver!LP Obrigado! É bom estar aqui. Não temosvindo aqui em um bom tempo, então ...
tenha ótimo estada rapazes e moça!
show!obrigado

http://www.hellbound.ca/2010/12/kylesa-the-hellbound-interview/

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CHIMARIA- NOTICÍAS INDICAM NOVO ALBUM DA BANDA

CHIMARIA
 

 

ENGLISH

Markus Goldman is a member of the air staff at 93.3 WMMR in Philadelphia. He recently did a series of interviews with some leading names in hard rock and metal for Revolver. Here's the second installment of the series. You can get more information about him and WMMR here.

   
                                                              On Monday, November 28, I had a chance to speak with Mark Hunter, vocalist of Chimaira. Much to my surprise it happened to be Ol' Dirty Bastard Day on the bus. They are currently wrapping up their Blue Collar Brawler Tour with This or the Apocalypse, Daath and Impending Doom. They are taking off for the holidays but are getting geared up for Chimaira Christmas 11, on December 30. If you are anywhere near Cleveland, this is a show you may want to look into. We also spoke about the making of The Infection, replacing Jim LaMarca and what's up with Chimaira in 2011. Mark also spoke a little bit about Chimaira's next record. Get information on all that is Chimaira at their website, Facebook page and MySpace page.

Markus Goldman é um membro da equipe 93,3 WMMR na Filadélfia. Ele fez recentemente uma série de entrevistas com alguns nomes de destaque no hard rock e metal para Revolver.Aqui está a segunda entrevista da série.
   
           portuguese       
                                          Na segunda-feira, 28 de novembro eu tive uma chance de falar com Mark Hunter, vocalista do Chimaira. Para minha surpresa ele passou a viagem ouvindo Ol'Dirty Bastard no onibus .eles estão encaminhando-se para o Natal Chimaira, em 30 de dezembro. Se você estiver em qualquer lugar perto de Cleveland, este é um espetáculo, você pode querer assistir Também falou sobre a realização do infecção,substituição Jim Lamarca e o que se passa com Chimaira em 2011. Mark também falou um pouco sobre o próximo disco do Chimaira. informações sobre tudo sobre o Chimaira em seu Website, Facebook página e Página doMySpace.

http://www.revolvermag.com/music/detail/exclusive-interview-with-mark-hunter-of-chimaira/

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UNSUN - NOVO VIDEO- HOME

UNSUN NOVO ALBUM-CLINIC OF DOLLS ON OCTOBER

PORTUGUESE AND ENGLISH

banda A gravadora, MysticProduction,anunciou em uma declaração à imprensa em 24 de Junho de 2010 que a banda começou a gravar seu segundo álbum, que está agendado para lançamento em 11 de outubro, 2010. De acordo com um comunicado de imprensa, os vocais foram gravadas no Studio X em Olsztyn e todos os instrumentos foram estabelecidas no Hertz Studio(Behemoth,Vader, Decapitated)em Bialystok. A arte da capa foi criada pela Hi-Res Studio, que também tratados banda foto mais recente sessão do. Em outubro UnSun têm vindo a apoiarTristania sobre o "Rubicon Tour" na Europa.

The band's record label, MysticProduction,Announced in a press statement on 24 June 2010 That the band has Begun ITS recording second album, scheduled for release Which is in October 11, 2010. According to a press release, the vocal tracks recorded at Studio X Were in Olsztyn and all the instruments Were laid down at Hertz Studio(Behemoth,Vader, Decapitated)in Bialystok. The cover artwork was created by Hi-Res Studio, Which Also handled the band's latest photo session. On october UnSun Have Been supportingTristania on the "Rubicon" tour in Europe.
dark horse comics

SOUND LIKE-LACUNA COIL/TRISTANAI/WITHIN TEMPATION/SITER OPF MERCY/CASSANDRA COMPLEX

http://twitter.com/unsun


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BULLET FOR MY VALENTINE- NEWS ON KERRANG MAGAZINE

bullet for my valentine na kerrang

Bullet and Horizon: Matt and Oli vs. the world!

They might be the frontmen of two of the UK's biggest bands, but Bullet For My Valentine's Matt Tuck and Bring Me The Horizon's Oli Sykes haven't had the opportunity to talk properly. So we thought it was about time they got to know each other a little better. Find out what happened when Oli met Matt in this week's Kerrang! magazine.

Win! Meet You Me At Six, Disturbed, Papa Roach, Buckcherry and Halestorm in our cool competitions!

Also in this issue: Download 2011 is go! System Of A Down and Avenged Sevenfold for K!-sponsored summer rock fest, HIM frontman Ville Valo sets the record straight on those split rumours, Disturbed and Papa Roach go head to head, we join Aiden in the studio, and Corey Taylor gets set to make his bid for the Christmas Number One.

And: 30 Seconds To Mars give us an inside look at their biggest year yet, All That Remains' Phil Labonte faces the future, Middle Class Rut reveal why two is the magic number, Framing Hanley get ready for the Kerrang! Relentless Energy Drink Tour 2011, Pulled Apart By Horses look back at 2010, Frank Turner gives us his Road Rules, and We Are The Ocean take on the Kerrang! Quiz.

Plus: Live reviews of Deftones, Francesqa, Skunk Anansie, Therapy?, Jimmy Eat World and more! And a Rising Stars Poster Special featuring: The Pretty Reckless, Futures, Black Veil Brides, We Are The In Crowd and Chickenhawk.

portuguese

bullet for my valentine
Meu cometário - Noticias sobre Bullet for my Valentine que eu já ouvi e Bring the Horizon …(espero que eu esteja certo)que eu nunca ouvi mas fazer isto em breve.

Bullet e Horizon: Oli contra o mundo! Matt
a serviços os vocalistas das Duas das Maiores bandas do Reino Unido, Bullet For My Valentine's Matt Tuck "e Oli Sykes do " Bring Me The Horizon nao tiveram UMA Oportunidade de Falar corretamente. Entao pensamos Hora certa de conhece-los um pouco Melhor. Saiba O Que Aconteceu quando Matt Oli ªse conhecerma Semana ISSO Kerrang! Revista.
Disturbed, Papa Roach, Buckcherry

sound like-avenged sevenfold/iron maiden/metalica/autum offerings/all that remains/

http://www.kerrang.com/blog/newissue/

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Bittersweet Memories

Bullet For My Valentine | Myspace Music Videos Tweet

THE SWORD - NOVO ALBUM

NOVO ALBUM DO THE SWORD BAND DO TEXAS DE STONE ROCK

NEW ALBUM OF THE SWORD OF TEXAS BAND OF ROCK STONE

http://www.myspace.com/thesword

Maiden, Mother & Crone

The Sword | Myspace Music Videos

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GENITORTURERS- LIVE 2010- DEVIL IN THE BOTTLE

PORTUGUESEA AND ENGLISH

genitorturers botam pra quebrar na turne deste ano divulgando o ALBUM BLACK HEART REVOLUUTION

Genitorturers drop a huge break in the tour this year promoting the album BLACK HEART REVOLUUTION

Explosive!

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KYLESA-ENTREVISTA SOBRE O NOVO ALBUM

portuguese and english

Philip Cole and Laura Pleasants fala de cada som do Kylea o album Spiral Shadow.

PHILLIP COPE and LAURA PLEASANTS tell the stories behind each song on KYLESA’s Spiral Shadow.

Tired Climb
Cope: I designed this song to be the first on the album. I wanted it to have a mixture of elements from our past, and foreshadowing of some of the tripped out nature of the songs to come. My lyrics are about years of tackling depression.


Eu fiz esta canção para ser a primeira do álbum. Eu queria que ela tivesse uma mistura de elementos do nosso passado, e prenúncio de algo da natureza fora das canções que nos já tinhamos feito. Minha letra é sobre os anos de luta e contra a depressão.


Drop Out
Pleasants: This song started out with the mellow part and was built from there. I was listening to a lot of mid-‘70s era [Black] Sabbath and was studying some of their uncommon song structures. I wanted something intense and something where the drums could be really pounding and tribal. I like how this song has a lot of groove and peaks and valleys. Lyrically, "Drop Out" is about being completely fed up with everything to the point where you just don't care anymore and want nothing to do with anyone or anything. You try to erase everything to find the answer. Press delete and start again.

Essa música começou amadurecer e foi construído a partir daí. Eu estava ouvindo um monte de sons dos anos 70 era sábado e estava estudando algumas das estruturas musicais incomuns. Eu queria algo intenso e algo em que a bateria poderia ser realmente tivesse elementos tribais. Eu gosto de como essa música tem muito groove e picos e vales. Liricamente, "Drop Out" é sobre ser completamente farto de tudo para o ponto onde simplesmente não se importam mais e não quer nada com nada e com ninguém. Você tenta apagar tudo para encontrar a resposta. apagar o passsdo e começar tudo de novo.


Don't Look Back
Cope: This song was kind of challenge for myself to see if I could write something more straightforward and traditional. It really wasn't supposed to sound poppy or like ‘90s alternative, but after I put the guitar harmony on, everyone started to notice it was sounding a bit different than our normal stuff. Someone mentioned it kind of sounded like the Pixies, so instead of fighting it, we just kind of embraced it. The lyrics are about realizing sometimes it's better to forget the past and move on than dwell on things from your past.
Pleasants: The original middle guitar line I did sounded too "southern" to Phillip, so I re-routed and very quickly came up with the melody. Sometimes the simple stuff you come up with off the cuff works out the best.

A linha de guitarra original meio eu fiz soava muito algo do "sul" de Phillip, então eu refiz e muito rapidamente surgiu a melodia. Às vezes as coisas simples com improviso funciona melhor.








Spiral Shadow
Pleasants: This is another song that is very dear to me, and it's the second song I've ever written for anyone. I knew I wanted to write a song for my mom, and this is it. This one took a long time to come together. I have several versions of this with different riffs in it. I kind of modeled it after some ‘70s rock vibes, and that was the tone I was going for. Lyrically, “Spiral Shadow” reads as somewhat abstract, and that's how I wanted it. I was very happy with some of the tones I got for the lead parts. I had a few very rad distortion pedals to work with, and some wonderful vintage tube amps to howl through.


Pleasants: Esta é outra canção que é muito querida para mim, e é a segunda música que eu escrevi. Eu sabia que queria escrever uma música para minha mãe, e é isso. E demorou muito tempo para vir junto. Tenho várias versões deste riffs de coisas diferente. Eu tipo de modelo que depois de alguns vibes rock dos anos 70, e esse foi o tom que eu estava indo. Liricamente, "Spiral Shadow" é como algo abstrato, e é assim que eu queria. Fiquei muito feliz com alguns dos tons que eu tenho para as peças de chumbo. Eu tinha uns pedais de distorção muito poucos para trabalhar, e algumas maravilhosos amplificadores valvulados da epoca vintage.

Cope: This song was by far the hardest and most time consuming to mix, but I was stoked on it by the end.

Cope: Essa música foi de longe o mais difícil e consomiu mais tempo para construi-la, mas eu estava amarradão nela até o final.

MORE FROM INTERVIEW LINK TO BELOW

http://www.altpress.com/features/entry/track_by_track_kylesa/

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ESCAPE THE FATE -ANUNCIA NOVAS DATA

PORTUGUESE AND ENGLISH

o vocal do Escape The Fate Craig Mabbitt, o baixista Max Green, o guitarrista eo baterista Monte Money Robert Ortiz. O terceiro álbum do quarteto de Las Vegas, Escape The Fate, foi produzido por Don Gilmore (Bullet For My Valentine, Linkin Park) e lançado em DGC / Interscope Records 02 de novembro. Ele estreou em # 4 na parada de álbuns BillboardRock, # 3 na parada Billboard Alternativa (apenas atrás de Kings of Leon Mumford & Sons) e # 1 na Billboard Tastemakers, e os primeiros single "Problemas" ainda está subindo nas paradas das rádios de rock. Escape mistura o metal Fate lambe com melodias pop e solos de guitarra com o aumento dos coros hino em um som épico apenas insinuada em discos anteriores da banda: 2008's This War Is Ours e 2006's Dying Is Your Latest Fashion.

Escape The Fate is singer Craig Mabbitt, bassist Max Green, guitarist Monte Money and drummer Robert Ortiz.� The Las Vegas quartet’s third album, Escape The Fate, was produced by Don Gilmore (Bullet For My Valentine, Linkin Park) and released on DGC/Interscope Records November 2nd.� It debuted at #4 on the Billboard�Rock album chart, #3 on the Billboard Alternative chart (just behind Kings of Leon & Mumford and Sons) and #1 on the Billboard Tastemakers Chart, and the first single "Issues" is still climbing the rock radio charts. Escape The Fate blends metal licks with pop melodies and soaring guitar solos with anthemic choruses into an epic sound only hinted at on the band’s previous discs: 2008’s This War Is Ours and 2006’s Dying Is Your Latest Fashion.

Escape The Fate is known for their incendiary live shows embracing the raucous Sin City lifestyle. “The Dead Masquerade” tour dates are below:

Escape The Fate é conhecida por suas incendiárias apresentações ao vivo abraçar o estilo estridente Sin City. "The Dead Masquerade" as datas dos shows estão abaixo:

1/20����������� Tucson, AZ @Rialto Theater
1/21����������� Tempe, AZ @Marquee Theatre
1/22����������� Albuquerque, NM @Sunshine Theater
1/24����������� Dallas, TX @South Side Music Hall
1/25����������� San Antonio, TX @White Rabbit
1/26����������� Houston, TX @Warehouse Live
1/28����������� Atlanta, GA @Masquerade
1/29����������� Orlando, FL @Club Firestone
1/30����������� Ft. Lauderdale, FL @Revolution
2/1����������� Charlotte, NC @Amos’ Southend
2/2����������� Norfolk, VA @The Norva
2/3����������� Baltimore, MD @Ram’s Head Live
2/4����������� Philadelphia, PA @Trocadero
2/5����������� Sayreville, NJ @Starland Ballroom
2/8����������� Lancaster, PA @Chameleon Club
2/9����������� Allentown PA @Crocodile Rock
2/11����������� Hartford, CT @Webster Theatre
2/12����������� Worcester, MA @The Palladium
2/13����������� Montreal, Quebec @Club Soda
2/14����������� Toronto, Ontario @Phoenix Theatre
2/16����������� Buffalo, NY @Town Ballroom
2/17����������� Royal Oak, MI @Royal Oak Music Theatre
2/18����������� Grand Rapids, MI @The Orbit Room
2/19����������� Milwaukee, WI @Rave Ballroom
2/20����������� Chicago, IL @The Vic Theater
2/21����������� Sauget, IL @Pop’s
2/23����������� Minneapolis, MN @The Cabooze
2/25����������� Denver, CO @The Summit Music Hall
2/26����������� Salt Lake City, UT @In The Venue
2/27����������� Boise, ID @Knitting Factory
3/1����������� Spokane, WA @Knitting Factory
3/2����������� Portland, OR @Roseland Theater
3/3����������� Seattle, WA @Showbox at the Market
3/5����������� San Francisco, CA @Grand Regency Ballroom
3/6����������� Sacramento, CA @Ace of Spades
3/8����������� Reno, NV @Knitting Factory
3/9����������� Fresno, CA @Crest Theatre
3/11����������� Anaheim, CA @The Grove of Anaheim
3/12����������� San Diego, CA @Soma

www.escapethefate.com

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